Life Lessons I Learned From The Movies: Adulthood…

Ok, so since I watch a ridiculous amount of movies each week and I’m not too terribly fond of writing reviews, I’ve decided to start a new series here focusing on some of the more humorous life-lessons that can be taken from the movies (whether intentionally or unintentionally – focusing mostly on “blockbusters”, which I honestly don’t see too many of, but hey) that I’ve seen recently. I’ll add on to this series from time to time, in addition to my normal posts. Here’s the first one for you…

Adulthood…
So, what makes a boy into a man? Well, according to the movie “Hellboy”… killing really huge monsters and giving long kisses to hot chicks who spontaneously combust. So, ca’mon kids, better get movin’!

A Little About Me…

Ok… so while I know many of you are really excited to find out what new craziness is happening next in my own little world, I thought I might take a little time and give you an idea of what it is that I do every day. Now, bear with me here as I’ll do my best to abbreviate so as not to make this a novel, but here’s just an example of what I did yesterday: I generally get up a bit later in the day, usually around 9am-10am(ish) (keeping in mind how late I work… read on), most days the first thing I do is sit-down at my computer in my home-office and spend the better part of 2 hours replying to just the most important of the e-mails I get, keeping in mind that much of the work I do is done long-distance, since I live in Ohio and work with industries based for the most part on the West Coast. Anyways… e-mails, I generally get anywhere between 40 and 70 “important” e-mails in a day (this does not include spam… these are e-mails that are from people I work with, or about projects/productions I’m actively working on… most need to be replied to immediately). So, I get through as many as I can each morning and forward the ones I’m able to on to other people who work with me (like my colleagues at my production company, my manager, producers of the various projects I’m working on, or other asst directors for the film festival) to take care of since I simply don’t have the time to respond to every one (that alone would easily take my whole day, every day, right there). After e-mails I generally focus on getting ready for the day, eat, shower and all that… so that by around 11:30am I’m set to role with whatever comes my way (I pretty much run on an LA schedule, which is 3-hours off from the eastern time-zone I’m in, in Ohio so that’s like Noon to 8pm EST) anyhow.. . what comes next varies literally by day… generally I have either conference calls or in-person meetings booked back to back every weekday (lately we’ve been double-booking meetings and events over a year in advance, simply out of need, that just to say that my life can get kind-of busy all the time), anyway, this particular day started with me driving to an event-site to help setup for a local performance gig for about an hour… right from there I went down the block for an extended lunch meeting with a producer/distributor friend of mine (former studio executive) who is now running his own US distribution house, is co-producing my feature and is also partnered with the film fest (we try to do lunch every couple weeks to catch up in person and go over lots and lots of new info). Anyhow, that meeting ran until 2:00pm. From there I went back to my home office for a conference call to LA, then a couple local follow-up calls for the film fest… replied to a few more e-mails that popped up during the day (and ignored a bunch more), then headed off to the Post Office to pickup/sign for about 80 more film festival entries that we received over the weekend, log them in, then pack them into the car to be dropped off with the festival programming director the next morning… which brings us to 3:30pm. I had a meeting with film festival Marketing staff scheduled to go over marketing strategies for 2009, which I arrived frustratingly 10minutes late too (any one of the above reasons should easily explain that). Because we were also officially bringing on a few new assistant directors, that meeting ran over until nearly 7:00pm before I got back to my office. Knowing I only had so much time left in the work day (again on an LA schedule here… so 8pm EST is 5pm PST) I ran back to my office and made a few quick follow-up calls to agents regarding cast for my feature, then grabbed a quick bite to eat from my kitchen and proceeded to sit down to actually start getting some real work done… I had seven (3-10pg) contracts to read, revise, and sign (ranging from bands/special guests we’re working with to perform at the film fest, to new staff contracts, to legal agreements, letters of intent for film crew –for the feature- to registration forms for a new film festival membership program we’re developing). Which brings us to around 10:30pm. Now is when I start to freak, since I realize how much I haven’t accomplished in the day that needed to be done LAST week. So, I sit down and re-work my already triple-booked schedule by priority deadlines and send out e-mails to about a dozen different people on various different staff’s and boards to let them know where things stand as of that day. Ok… so now my day is half-done. Between the hours of 11pm and about 4am to 5am is when I actually end up working on some of our Star Com client-based materials (which range from new-media work to consulting to script supervision, live event management inquiries, etc). I’ll often take a few minutes break at some point in there, grab a snack and maybe watch a portion of one of the Late Night shows before getting back to work. Note that most of my script-writing and re-writing is done during the wee-hours as well as looking through audition tapes, online reels and such, since that’s often the time when I can be the most focused. Before I head off to bed around 5am, I’ll often check the morning industry publications to see what tomorrow will bring…. and that was (for the most part) my Monday. Tuesdays are much, much busier. Keeping in mind that I didn’t even have time to address most Miami Film Association programs or inquiries at all (Mondays and Fridays are supposed to be my “free days” to work on the MFA and film fest… which is somewhat of a joke). Anyway… I get a couple hours of sleep and get into a whole ‘nother arena the next day. Now, I should say that no day of mine is ever like the previous one… I’ll often be dealing with completely different issues for different events and productions each day, which I absolutely love. But it goes without saying that most weekends are just spent trying to catch up for things not finished during the week (that is, the few weekends I’m actually in town, and not traveling or speaking someplace, or actually on set or on-site at a production I’m producing, managing or working). Such is just a brief insight into my day-to-day life. I try to catch movies every chance I get… you’ll often find me sneak away once or twice a week to a movie theater (whenever I can manage)… I do all my shopping at 24hr stores because generally by the time I get around to making it to a store it’s often 4am. Another fun fact, since I live alone, I also actually have to schedule time every other week to do laundry… because if I don’t, it just doesn’t get done (I found that out the hard way). So… now you know (I just know you all were simply dying to know about my laundry) but hey… that’s life… at least for me :-). Now that you’ve read all that, hopefully you’ll at least get an idea of why it often takes me a few days to get back to people (even close friends) and especially how hard it is to schedule in-person meetings with new/young filmmakers (which I absolutely love to do and get requests for on a regular basis) but often simply just don’t have the time to do most weeks unless it was scheduled several months in advance. Anywho… it should also, hopefully, explain why I’m writing/posting this blog entry at 4am, and why I don’t post more often :-P. So there you have it. –Oh, and this is also why I have to schedule my film shoots at least a year in advance…

Just as a quick response to one of YOUR questions… “How do you juggle all the things you do?” The answer to that is quite simply careful planning, and minute by minute scheduling, every day of the week, every week. I use an electronic online schedule/calendar that can be/is constantly updated both by myself and by other people who schedule things for me (like my manager). That way I always know where I need to be and when. All my schedules also include reserved time to travel from one meeting/site to the next estimating possible traffic delays etc… and yes, I do often either schedule, or reply to phone calls while in the car driving from place to place… it’s the only way I can keep up with things (you should see my cell-phone bill :-). So… to answer your question… very careful and specific planning, organization, and scheduling… setting and keeping priorities is always key.

Record Submission Week…

The Oxford International Film Festival just had a record week when it comes to submissions. Just in the past 4-days the festival received nearly 100 entries (from around the globe). Not bad for just a few days. A big thanks to all of you who are working so hard to make your films a reality, and your willingness to share them with us. We’re doing our very best to make every entry count. The festival is still accepting entries for our 2009 event (which takes place July 23-26, 2009). You can still submit your films through April 1st by going here: http://www.oxfordfilms.com/oiff/submit.htm

EOAT Screening in Park City…

Ladies and gents, sorry for the late notice, but I did want to let you all know that “The End of All Things” a short film of mine, is screening this week at the “Park City Film Music Festival”, which takes place in Park City, Utah during Sundance. If you’re in town, feel free to stop on by, the film is screening at 7pm on Sunday, January 18th at the Main Street Mall (directly across from the Egyptian Theater) in Park City. As always, thank you all for you continued support. There are more festival screening dates coming for the film… so I’ll be sure to give you more updates as I get them!

Happy New Year…

Just wanted to wish you all a happy new year. I’ve been traveling about the country over the last few months, so it’s nice to finally be back home (at least for a little while) and be able to focus back on the pile of work that never seems to get smaller. Between the festival, my several film projects that are in the works, the film association, my other film’s screening at other festivals, and of course, the production company, I’m never at a loss for twenty thousand more things to do, but hey, it keeps life interesting and I wouldn’t have it any other way. Wishing you all the best in 2009.

Some Favorite Quotes…

Ok, so on a bit of a lighter note, several of you have also asked me what some of my favorite film-related quotes are and why. Alright, so first off, it’s important to note that most of my favorite quotes don’t actually come from films, rather from the filmmakers themselves (though I do have many favorite lines from movies). This is by no means a comprehensive list, as I hear so many wonderful remarks on a daily basis from people I work with, but here are a few I’ve really appreciated, and connect with:

“I dream for a living” – Steven Spielberg

…I wouldn’t have it any other way.

It’s both sad and amazing how true this statement is:

“In Hollywood, it ain’t real until the check clears the bank” – Laurence Andries

Simply well said:

“Sometimes there just aren’t enough rocks” – Forest Gump

One of the best directing notes I’ve ever heard:

“Do it again, but this time… better.” – Chris Chulack directing “ER”

…you just had to be there – oh, and I don’t recommend using that one on your own set unless you know your actors as well as he does ;-).

Ok, this isn’t from a filmmaker, but it’s certainly one of many excellent quotes to live by:

“There are people who make things happen, there are people who watch things happen, and there are people who wonder what happened. To be successful, you need to be a person that makes things happen.” – James Lovell

And a popular one in my own little world that I’ve thought through way too much:

“Filmmaking is kinda like squirrels, they look all cool, cute and fun on the outside, but when you really get to know them, you find out how evil and frustrating they all really are. But hey, that doesn’t mean you stop loving ‘em, it just gives you a valid reason to throw more rocks.”
– JC’s deep thoughts.

There are so many both wonderful, and simply hilarious statements I’ve heard in this industry, some I can repeat, others I can’t (but really, really wish I could). I’ll try to post more at some point down the line.

The SAG Question…

Ok… so if you all haven’t realized it yet, I try to do my best to stray away from somewhat potentially “unpopular” issues on my blog… but there is a point where I start to wonder what’s going through people’s heads, and I was just asked recently by a several people what my views on the potential SAG strike are. So here are my thoughts on the topic, as irrelevant as they may be. As I’m sure you all know, the Screen Actors Guild (SAG) is on the verge of a strike this coming January, which I honestly have no problem with as an independent filmmaker, but the whole concept to me at this point seems simply ridiculous. After the lengthy WGA strike last year (and it having been resolved), and with nearly all other major industry unions, including the DGA, agreeing to similar deals earlier this year, I just don’t see how SAG can hold out for something just “slightly” better than what everyone else has already agreed to, nor do I see how the industry can possibly take another lengthy walk-out after last year’s WGA strike and now the current down-turn in the national economy. Now, I’m not a member of SAG, WGA or have any relation to the AMPTP (and I’m certainly not prevy to all the gritty details), but from my point of view, the fact that SAG’s own regional board/s (such as that of SAG’s own NY office) are not supporting them in this matter simply begs the question… what exactly are they trying to achieve with another strike? I know it may be an issue of principle as much as anything, but I’m just not terribly convinced that now is the right time to argue that. There’s simply so much talk about many productions going AFTRA if SAG chooses to strike anyway, that it makes me wonder how many (if any) other industry unions will follow suit and support SAG should they choose to strike (especially considering that many of them have already signed new deals separately) and what real affect it will have other then on SAG members themselves. Again, I’m no expert here, nor am I a guild member, but as a festival director and an independent filmmaker, I’ve been recently forced to address how their choice will affect what I do in a number of ways, so I do hope that all of SAG’s voting members think it through thoroughly before casting their ballots in January. I have a great respect for SAG and its members, and I truly hope they make the right decision, whatever that may be. Again, these are just my thoughts, I’d love to hear what your thoughts are on the matter (as I’m aware that many of you may have strong feelings on this issue), so feel free to post comments or shoot me some feedback and let’s see where it takes us…

Back from LA, again…

Sorry I haven’t written in a while. So many amazing (and time consuming) things have been going on with the film, the festival, and a number of other projects I’m working on, that I simply haven’t had a chance to write much here. Anyhow… here’s a brief update:

I just got back from L.A. late last night where I was most of last week to meet with a bunch of people about my feature project (before heading off to Vegas for a conference – see below). The script has simply been doing wonders on its own and has been attracting an unheard-of amount of attention for a project of this size (which is totally awesome by the way). That said, we now have a great number of amazing people on-board for the project… and even more amazing actors interested and/or “in talks” for the project! I was just contacted last week and told that several of the actors we’d been chatting with for the lead roles said “yes” to the project, and we’re in talks with a half-dozen others, which is just amazing considering the (economic) timing and size of the project, but no complaints here! Unfortunately, that’s really about all I can say at this point (I know, I know… you want names), but since most of our cast are still “in talks”, I really just can’t announce anything yet as it might have a diverse affect on the process. I assure you, I’ll let you know as soon as I can.

That said, I also had a great time at the International Film Festival Summit (IFFS) in Vegas this past week. I had a wonderful chance to catch up with several other festival director friends of mine, and meet lots of great new people and hear about what they’re all up to. I also had a chance to meet some of the guys behind the Internet Movie DataBase (IMDb.com), who are working on some great new exciting additions to the IMDb for filmmakers and specifically film festivals for next year. I also had a chance to meet (and in some cases eat dinner with) several of the directors/guys behind Sundance, Tribeca, SXSW, IndieWire, FilmFestivals.com, IndieFlix, FilmThreat, Variety, and about 200 other great industry folks. It was great to see so many wonderful people working so hard to support the independent industry in one place, working together… despite a few issues which are all but unavoidable, I’ve enjoyed the IFFS every-year, it was well worth the trip, and I’m looking forward to attending again next year.

I’ll try to give you all another quick update on things before the holidays, as there’s WAY too much in the works here for me to mention in one post. So stay tuned, I’ll try to give you more updates as things get a bit more solidified (both with the 2009 Festival and the Feature). Thanks for tuning in guys!

Oh, and just because I know a lot of you like stats… the OIFF (after the first of our 4-deadlines, spread out over 5-months) to date has received 133 entries from 18 countries globally, and we’re well on our way to break our 532-entry record from last year. The OIFF is open for entries through April 1st of 2009, you can submit your film online at www.oxfordfilms.com.

2009 Oxford Fest Moves to West Chester & Open for Entries…

Hey guys, I just wanted you all to know that we have finally announced some big, exciting changes to the film festival in 2009. First and foremost, the festival will actually be taking place in West Chester, Ohio (about 40min south of Oxford, just north of downtown Cincinnati) in 2009. We have some amazing new venues (including the brand-new Savannah Center, which just opened in 2008) and are working with some great officials in West Chester to bring you an even bigger, better festival.  To answer another frequent question: the name will not change, we are still, and always will be the Oxford International Film Festival.

The new, awesome-looking website for the 2009 fest is now up at www.oxfordfilms.com and has all the details. You can also read the recent press-release in which I explain the reasons for the move by going here: www.oxfordfilms.com/oiff/press.htm.

In addition to that, we’re also now open for entries globally for the 2009 festival, for complete details, to submit online or download a paper-entry form check out www.oxfordfilms.com/oiff/submit.htm. We’re accepting entries through April 1st of 2009, so it’s not a huge rush, but the sooner you submit, the cheaper the entry fee (ALL student entries are still FREE through February 1st!) so get your films in, we want to see your work!

We’ve got another couple of awesome announcements coming up here in the next few weeks with the fest, so I’ll be sure to keep you all posted as they come up and we’re ready to make things public.

2009 Oxford Int’l Film Festival…

Ok, I’ve been getting a lot of questions about the 2009 Oxford International Film Festival, what the dates are, when we’re opening for submissions, and why all the “secrecy”. Well, to put it simply, we’re making a LOT of major changes to the 2009 fest, which is why you’ve all been waiting so long to see a new website. While we’re not quite ready to announce all the major changes quite yet, here’s the dates you’re looking for: The 2009 Oxford International Film Festival will take place July 23-26, 2009, and will open for submissions in just under 2-weeks from today on November 1st, 2008. You’ll be able to submit through the end of March, ’09 so no worries if you’re still finishing up a project. The new website will be up NEXT week (at www.oxfordfilms.com) and will clear up most of your questions. So thanks for all of your input, and keep it coming!